19th Century European

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Lot 1
ANTON RAPHAEL MENGS
Selbstbildnis.

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Lot 2
FRANÇOIS MARIUS GRANET
Santa Maria dell'Immacolata Concezione, Roma.

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Lot 3
JOSEPH M. W. TURNER
Jason.

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Lot 4
JOSEPH M. W. TURNER
Calm.

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Lot 5
WILLIAM BLAKE
And When They Lifted Up Their Eyes Afar Off.

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Lot 6
WILLIAM BLAKE
There Were not Found Women Fair as the Daughters of Job.

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Lot 7
JEAN-AUGUSTE-DOMINIQUE INGRES
Gabriel Cortois de Pressingny.

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Lot 8
EUGÈNE DELACROIX
Feuille d'études, avec Héliodore vaincu du Temple, pour St. Sulpice.

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Lot 9
THÉODORE GÉRICAULT
Jument noire à l'Écurie.

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Lot 10
HONORÉ DAUMIER
Un Français peint par lui-même.

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Lot 11
HONORÉ DAUMIER
En Chemin de Fer . . . Un Voisin agréable.

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Lot 12
HONORÉ DAUMIER
Collection of 12 lithographs.

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Lot 13
HONORÉ DAUMIER
Group of 6 lithographs with hand coloring in watercolor.

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Lot 14
HONORÉ DAUMIER
Le Monsieur qui ricane.

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Lot 15
HONORÉ DAUMIER
Le Bourgeois qui flâne.

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Lot 16
JEAN-FRANÇOIS MILLET
La Veillée.

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Lot 17
JEAN-FRANÇOIS MILLET
Le Semeur.

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Lot 18
JEAN-BAPTISTE-CAMILLE COROT
Environs de Rome.

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Lot 19
JEAN-BAPTISTE-CAMILLE COROT
Souvenir d'Italie.

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Lot 20
JEAN-BAPTISTE-CAMILLE COROT
La Rêverie.

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Lot 21
JEAN-BAPTISTE-CAMILLE COROT
Paysage.

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Lot 22
HENRI-JOSEPH HARPIGNIES
Bords d'un Etang.

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Lot 23
HENRI-JOSEPH HARPIGNIES
Environs de Roisin.

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Lot 24
HENRI-JOSEPH HARPIGNIES
Un Bien Aller dans la Foret du Troncais.

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Lot 25
HENRI-JOSEPH HARPIGNIES
La Loire à Briare.

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Lot 26
CHARLES MERYON
Two etchings.

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Lot 27
JAMES A. M. WHISTLER
Street at Saverne.

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Lot 28
JAMES A. M. WHISTLER
The Dog on the Kennel.

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Lot 29
JAMES A. M. WHISTLER
Soupe à trois sous.

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Lot 30
JAMES A. M. WHISTLER
The Pool.

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Lot 31
JAMES A. M. WHISTLER
Billingsgate.

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Lot 32
JAMES A. M. WHISTLER
Hurlingham.

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Lot 33
JAMES A. M. WHISTLER
The Little Putney, No. 2.

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Lot 34
JAMES A. M. WHISTLER
St. James's Street.

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Lot 35
JAMES A. M. WHISTLER
The Venetian Mast.

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Lot 36
JAMES A. M. WHISTLER
The Little Lagoon.

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Lot 37
JAMES A. M. WHISTLER
Nocturne: Furnace.

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Lot 38
JAMES A. M. WHISTLER
The Village Sweet Shop.

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Lot 39
JAMES A. M. WHISTLER
Melon-Shop, Houndsditch.

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Lot 40
JAMES A. M. WHISTLER
Maunder's Fish Shop, Chelsea.

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Lot 41
JAMES A. M. WHISTLER
The Dancing Girl.

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Lot 42
JAMES A. M. WHISTLER
Nude Model, Reclining.

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Lot 43
JAMES A. M. WHISTLER
Firelight: Joseph Pennell, No. 1.

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Lot 44
JAMES A. M. WHISTLER
Reading.

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Lot 45
JAMES A. M. WHISTLER
Waterloo Bridge.

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Lot 46
JAMES A. M. WHISTLER
The Thames.

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Lot 47
FÉLIX BUHOT
Une Matinée d'Hiver au Quai de l'Hotel Dieu.

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Lot 48
FÉLIX BUHOT
Une Matinée d'Automne.

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Lot 49
EDWARD LEAR
Black Mountain, Cephalonia.

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Lot 50
EDWARD LEAR
Bedouin Soldiers Resting on a Hillside.

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Lot 51
RODOLPHE BRESDIN
Un Groupe de Baigneueuses dans un Paysage rocheux.

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Lot 52
CARL SPITZWEG
Sheet of Studies.

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Lot 53
GUSTAVE DORÉ
Dante Faints at the Story of Paolo and Francesco.

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Lot 54
FÉLICIEN ROPS
Femme debout, avec un chien.

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Lot 55
ÉDOUARD MANET (after)
Le Déjeuner sur l'herbe.

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Lot 56
ÉDOUARD MANET
Les Gitanos.

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Lot 57
ÉDOUARD MANET (after)
Olympia.

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Lot 58
EDGAR DEGAS
Danseuse sur scène, saluant.

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Lot 59
EDGAR DEGAS
Danseuse mettant son chausson.

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Lot 60
EDGAR DEGAS and GEORGE W. THORNLEY
Entrée en Scène.

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Lot 61
EDGAR DEGAS and GEORGE W. THORNLEY
Chez la modiste.

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Lot 62
EDGAR DEGAS and GEORGE W. THORNLEY
Sur la Plage.

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Lot 63
EDGAR DEGAS
Au Louvre, la peinture, Mary Cassatt.

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Lot 64
MARY CASSATT
Baby Held before an Oval Mirror.

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Lot 65
MARY CASSATT
Nursing.

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Lot 66
MARY CASSATT
Looking into the Hand Mirror (No. 1).

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Lot 67
MARY CASSATT
Hélène of Septeuil.

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Lot 68
MARY CASSATT
Quietude.

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Lot 69
MARY CASSATT
Sara Wearing her Bonnet and Coat.

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Lot 70
PIERRE-AUGUSTE RENOIR
L'enfant au biscuit (Jean Renoir).

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Lot 71
PIERRE-AUGUSTE RENOIR
Une Mère et Deux Enfants.

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Lot 72
PIERRE-AUGUSTE RENOIR
Ambroise Vollard.

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Lot 73
CLAUDE MONET and GEORGE W. THORNLEY
Portrait de Poly.

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Lot 74
CLAUDE MONET and GEORGE W. THORNLEY
La Côte sauvage.

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Lot 75
CLAUDE MONET and GEORGE W. THORNLEY
La Côte sauvage.

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Lot 76
CLAUDE MONET and GEORGE W. THORNLEY
La Gare Saint-Lazare, Arrivée du Train de Normandie.

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Lot 77
CLAUDE MONET and GEORGE W. THORNLEY
Meules.

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Lot 78
BERTHE MORISOT
La Couture au Jardin.

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Lot 79
CLAUDE ÉMILE SCHUFFENECKER
Tête de jeune fille (Jeanne Schuffenecker, fille de l'artiste).

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Lot 80
CAMILLE PISSARRO
Effet de Pluie.

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Lot 81
CAMILLE PISSARRO
Sente des pouilleux à Pontoise, petite planche.

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Lot 82
CAMILLE PISSARRO
Paysage à Rouen (Côte Sainte Catherine).

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Lot 83
CAMILLE PISSARRO
Port de Rouen (Saint Sever).

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Lot 84
CAMILLE PISSARRO
Rue Molière, à Rouen.

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Lot 85
CAMILLE PISSARRO and GEORGE W. THORNLEY
La Mi-Carême à Paris.

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Lot 86
CAMILLE PISSARRO and GEORGE W. THORNLEY
Portrait de Félix Pissarro.

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Lot 87
PAUL CÉZANNE
Autoportrait.

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Lot 88
PAUL CÉZANNE
Vue d'Auvers (Les Vessenots).

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Lot 89
PAUL CÉZANNE
Tête de Jeune Fille.

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Lot 90
PAUL CÉZANNE (after)
La Montagne Sainte-Victoire

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Lot 91
VINCENT VAN GOGH (after)
Les Roses.

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Lot 92
GUSTAVE LOISEAU
Inondation (Pontoise).

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Lot 93
PAUL SIGNAC
À Flessingue.

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Lot 94
PAUL SIGNAC
Paysage avec étang.

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Lot 95
HENRI-EDMOND CROSS
Portrait de Camille Pissarro, en profil, lisant.

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Lot 96
HENRI-EDMOND CROSS
Les Champs Élysées.

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Lot 97
HENRI-EDMOND CROSS
Étude pour "Paysannes de l'Ombrie".

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Lot 98
ANDERS ZORN
Frederick Keppel, Art Dealer.

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Lot 99
ANDERS ZORN
The Bride's Maid.

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Lot 100
PAUL GAUGUIN
La Femme aux Figues.

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Lot 101
PAUL GAUGUIN
Manao Tupapau.

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Lot 102
HENRI TOULOUSE-LAUTREC
Un Monsieur et une Dame, Programme pour "l'Argent."

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Lot 103
HENRI TOULOUSE-LAUTREC
Divan Japonais.

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Lot 104
HENRI TOULOUSE-LAUTREC
Aux Variétés, Mademoiselle Lender et Brasseur.

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Lot 105
HENRI TOULOUSE-LAUTREC
Feuille d'études avec le Champion Cycliste Zimmerman.

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Lot 106
HENRI TOULOUSE-LAUTREC
Carnaval.

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Lot 107
HENRI TOULOUSE-LAUTREC
Au Lit.

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Lot 108
HENRI TOULOUSE-LAUTREC
Yvette Guilbert, "Linger Longer Loo".

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Lot 109
HENRI TOULOUSE-LAUTREC
Anna Held.

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Lot 110
JEAN-ÉMILE LABOUREUR
Ernest, Garçon de Restaurant.

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Lot 111
JEAN-ÉMILE LABOUREUR
Two woodcuts.

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Lot 112
CHARLES MAURIN
Magasins de Louvre.

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Lot 113
HENRI EVENEPOEL
Au Square.

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Lot 114
GEORGES PRIVAT-LIVEMONT
Les tulipes.

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Lot 115
GEORGES BOTTINI
Danseuse.

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Lot 116
GEORGES BOTTINI
Femme au bar.

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Lot 117
PAUL CÉSAR HELLEU
Femme au grand chapeau.

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Lot 118
PAUL CÉSAR HELLEU
Madame Helleu au Chapeau.

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Lot 119
ARMAND RASSENFOSSE
Femme assise.

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Lot 120
ALFREDO MÜLLER
Le Thé dans un Jardin.

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Lot 121
JAMES JACQUES TISSOT
Le banc de jardin.

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Lot 122
JAMES JACQUES TISSOT
Sa Première Culotte.

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Lot 123
JAMES JACQUES TISSOT
L'Été.

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Lot 124
JAMES JACQUES TISSOT
Octobre.

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Lot 125
JAMES JACQUES TISSOT
L'Enlèvement.

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Lot 126
ÉMILE-CORIOLAN-HIPPOLYTE GUILLEMIN
Rebecca and Eliezer at the Well.

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Lot 127
EUGÈNE GALIEN-LALOUE (LOUIS DUPUY)
Two oils on panel.

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Lot 128
JEAN-FRANÇOIS RAFFAËLLI
Le Jardin de la veille fille.

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Lot 129
JEAN-FRANÇOIS RAFFAËLLI
La Fumée du Bateau.

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Lot 130
KER-XAVIER ROUSSEL
Le Fête Champêtre.

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Lot 131
HENRI FANTIN-LATOUR
Étude pour Ève.

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Lot 132
HENRI-EUGÈNE LE SIDANER
La Maison au clair de lune.

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Lot 133
LUCIEN PISSARRO
Sunset on the Thames.

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Lot 134
PIERRE BONNARD (after)
Port de pêche.

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Lot 135
PIERRE BONNARD (after)
La Baignoire.

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Lot 136
PIERRE BONNARD
Jeune Femme au bas noirs.

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Lot 137
PIERRE BONNARD
La Baraque.

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Lot 138
ÉDOUARD VUILLARD
La Couturière.

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Lot 139
ÉDOUARD VUILLARD
L'Avenue.

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Lot 140
ÉDOUARD VUILLARD
Place Vintimille.

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Lot 141
ÉDOUARD VUILLARD
La Porte Fenêtre sur le jardin (Paysage).

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Lot 142
ÉDOUARD VUILLARD
Le Jardin de Curé.

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Lot 143
ÉDOUARD VUILLARD
Les Grands Arbres.

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Lot 144
ÉDOUARD VUILLARD
Coucher de soleil sur le jardin.

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Lot 145
HENRI ROUSSEAU (after)
La Chase du Tigre.

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Lot 146
SUZANNE VALADON
Catherine nue se coiffant.

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Lot 147
AUGUSTE RODIN
Femme a sa toilette.

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Lot 148
LOUIS VALTAT
Étude d'une femme (Madame Valtat).

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Lot 149
LOUIS VALTAT
La femme assise aux chats (Madame Valtat).

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Lot 150
ALBERT MARQUET
Nu debout.

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Lot 151
JACQUES VILLON
Portrait de Léo Lelièvre.

American

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Lot 152
THOMAS MORAN (after)
The Gates of Venice.

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Lot 153
JOHN MARIN
Ponte de Donna Onesta, Venice.

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Lot 154
CHILDE HASSAM
The Chimneys, Portsmouth.

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Lot 155
CHILDE HASSAM
Cos Cob.

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Lot 156
FRANK W. BENSON
Harbor.

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Lot 157
FRANK W. BENSON
The Punter.

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Lot 158
FRANK W. BENSON
Elisabeth.

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Lot 159
GEORGE BELLOWS
Murder of Edith Cavell.

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Lot 160
GEORGE BELLOWS
The Crowd.

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Lot 161
WANDA GÁG
Two prints.

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Lot 162
MARSDEN HARTLEY
Grapes in a Bowl.

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Lot 163
MARSDEN HARTLEY
Apples in a Basket.

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Lot 164
MARSDEN HARTLEY
Flowers in Goblet #4.

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Lot 165
BERTHA LUM
Rain.

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Lot 166
WUANITA SMITH
Kingfisher's Breakfast.

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Lot 167
TOD LINDENMUTH
In the Weir.

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Lot 168
GUSTAVE BAUMANN
Silver Sky.

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Lot 169
GUSTAVE BAUMANN
An Eagle Ceremony at Tesuque Pueblo.

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Lot 170
GEORGE ELBERT BURR
A Mirage, Arizona (No. 2).

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Lot 171
GEORGE ELBERT BURR
Longs Peak-Estes Park, No. 4.

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Lot 172
OLAF WIEGHORST
Resting the Horses.

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Lot 173
CLARE LEIGHTON
Cutting.

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Lot 174
CLARE LEIGHTON
Loading.

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Lot 175
ROCKWELL KENT
Starry Night.

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Lot 176
JOHN J. A. MURPHY
Group of 4 wood engravings.

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Lot 177
LEON DOLICE
Empire State Building.

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Lot 178
MARTIN LEWIS
From Hoboken Heights.

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Lot 179
MARTIN LEWIS
Building a Babylon, Tudor City, N.Y.C.

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Lot 180
MARTIN LEWIS
Little Penthouse.

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Lot 181
MARTIN LEWIS
Shadows on the Ramp.

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Lot 182
ABBO OSTROWSKY
Group of 4 etchings.

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Lot 183
JOHN TAYLOR ARMS
Venetian Filigree.

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Lot 184
GERALD GEERLINGS
Where the West Begins (Chicago).

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Lot 185
THOMAS HART BENTON
Self Portrait.

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Lot 186
GRANT WOOD
Approaching Storm.

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Lot 187
GRANT WOOD
February.

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Lot 188
REGINALD MARSH
Steeplechase.

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Lot 189
ROBERT GWATHMEY
The Hitchhiker.

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Lot 190
ROBERT GWATHMEY
Singing and Mending.

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Lot 191
ROBERT GWATHMEY
Migrant.

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Lot 192
MILTON AVERY
Child Cutting.

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Lot 193
MILTON AVERY
Flight.

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Lot 194
WILL BARNET
Strange Bird.

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Lot 195
ARSHILE GORKY
Untitled.

Latin American

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Lot 196
DIEGO RIVERA
Tehuana con batea.

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Lot 197
DIEGO RIVERA
Cabeza de Mujer.

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Lot 198
DIEGO RIVERA
Dos figuras sentadas.

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Lot 199
JOSÉ CLEMENTE OROZCO
Desocupado.

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Lot 200
JOSÉ CLEMENTE OROZCO
Mujeres I.

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Lot 201
JOSÉ CLEMENT OROZCO
Las Masas.

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Lot 202
JOSÉ CLEMENTE OROZCO
Loca.

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Lot 203
JOSÉ CLEMENTE OROZCO
Los hombres colgados (The Hanged Men).

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Lot 204
LEOPOLDO MÉNDEZ
Deportación a la Muerte.

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Lot 205
LEOPOLDO MÉNDEZ
La Carreta.

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Lot 206
FRANCISCO DOSAMANTES
Mujeres Mayas Tejiendo (Mayan Women Weaving).

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Lot 207
MIGUEL COVARRUBIAS
Guatemala.

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Lot 208
MIGUEL COVARRUBIAS
Rumba.

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Lot 209
DAVID A. SIQUEIROS
Dos Niños.

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Lot 210
DAVID A. SIQUEIROS
Group of 5 color lithographs.

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Lot 211
DAVID A. SIQUEIROS
Group of 7 color lithographs.

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Lot 212
FANNY RABEL
La Familia.

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Lot 213
RODOLFO MORALES
Hombre con Sandia.

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Lot 214
FRANCISCO ZÚÑIGA
Desnudo de espalda.

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Lot 215
FRANCISCO ZÚÑIGA
Mujer sentada.

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Lot 216
FRANCISCO ZÚÑIGA
Madre Juchiteca.

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Lot 217
FRANCISCO ZÚÑIGA
Gruppo de Mujeres Sentadas, I.

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Lot 218
FRANCISCO ZÚÑIGA
Grupo de Mujeres Sentadas, II.

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Lot 219
FRANCISCO ZÚÑIGA
Muchacha en una Silla.

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Lot 220
FRANCISCO ZÚÑIGA
Cuatro figuras de píe.

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Lot 221
FRANCISCO ZÚÑIGA
Tres mujeres de píe, II.

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Lot 222
FRANCISCO ZÚÑIGA
Group of 5 drawings.

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Lot 223
RUFINO TAMAYO
Torso de Mujer.

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Lot 224
RUFINO TAMAYO
Venus Negra.

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Lot 225
RUFINO TAMAYO
Torso de Joven.

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Lot 226
RUFINO TAMAYO
Mujer en Lila.

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Lot 227
RUFINO TAMAYO
Mujer con Medias Malva.

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Lot 228
RUFINO TAMAYO
Mujer con Mallas Rose.

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Lot 229
RUFINO TAMAYO
Mujer en Rojo.

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Lot 230
RUFINO TAMAYO
Afiche (Mujer).

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Lot 231
RUFINO TAMAYO
Dos Caras.

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Lot 232
RUFINO TAMAYO
Group of 4 color lithographs from Los Signos Existen.

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Lot 233
RUFINO TAMAYO
Cabeza Roja.

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Lot 234
RUFINO TAMAYO
Dos Figuras.

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Lot 235
RUFINO TAMAYO
La Cirquera.

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Lot 236
JOSE MARIA DE SERVIN
Sin título (Abstracción).

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Lot 237
ROBERTO MATTA
Cosi fan Tutte.

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Lot 238
XAVIER ESQUEDA
Bodegón con caramelos de limón y arándanos.

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Lot 239
ÁNGEL BOTELLO
Desnudo.

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Lot 240
ÁNGEL BOTELLO
Mujer con Flores.

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Lot 241
ÁNGEL BOTELLO
Niña Jugando con Estrella de Mar.

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Lot 242
ÁNGEL BOTELLO
Niño Sentado.

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Lot 243
FERNANDO BOTERO
To Amnesty International.

Modern European

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Lot 244
GIACOMO BALLA
Il disperato; Autoritratto.

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Lot 245
JEAN-ÉMILE LABOUREUR
La Marchande de Violettes.

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Lot 246
JEAN-ÉMILE LABOUREUR
La Fille au Litre (grande planche).

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Lot 247
FRANÇOIS POMPON
Coq dormant.

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Lot 248
MARIE LAURENCIN (after)
La Femme au Singe.

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Lot 249
MARIE LAURENCIN (after)
La Femme au Hamac.

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Lot 250
MARIE LAURENCIN
L'Éventail rose.

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Lot 251
MARIE LAURENCIN
Les Deux Anges.

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Lot 252
MARIE LAURENCIN (after)
Trois Femmes en Buste.

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Lot 253
PABLO PICASSO (after)
Mère et enfant au fichu.

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Lot 254
PABLO PICASSO
Buste d'Homme.

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Lot 255
PABLO PICASSO
Les Saltimbanques.

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Lot 256
PABLO PICASSO
Quatre femmes en fruite.

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Lot 257
PABLO PICASSO
Deux Sculpteurs devant une Statue.

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Lot 258
PABLO PICASSO
Le Viol.

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Lot 259
PABLO PICASSO
Marie Thérèse considérant son effigie surréaliste sculptée.

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Lot 260
PABLO PICASSO
Le Pigeonneau.

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Lot 261
PABLO PICASSO
Cheval.

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Lot 262
PABLO PICASSO
La Chèvre-Feuille.

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Lot 263
PABLO PICASSO
Troupe d'Acteurs.

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Lot 264
PABLO PICASSO
Portrait de Famille IV (Quatre Personnages dont Trois assis).

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Lot 265
PABLO PICASSO
Sable Mouvant.

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Lot 266
PABLO PICASSO
Le Vieux Roi.

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Lot 267
PABLO PICASSO
Visage de face.

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Lot 268
Pablo Picasso
Sujet Poule

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Lot 269
PABLO PICASSO
Deux Danseurs.

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Lot 270
PABLO PICASSO
Quatre Danseurs.

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Lot 271
PABLO PICASSO
Bacchanale avec une Femme assise tenant un Bébé (Mère, Danseur et Musicien).

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Lot 272
PABLO PICASSO
Hommage à Bacchus.

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Lot 273
PABLO PICASSO
Femme au Balcon, Affiche "Œuvre gravé" 1960.

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Lot 274
PABLO PICASSO (after)
Art et Solidarité.

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Lot 275
PABLO PICASSO
Fleurs (for U.C.L.A.).

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Lot 276
PABLO PICASSO
Tête de chèvre * Colombe de paix.

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Lot 277
PABLO PICASSO
Femme vue de Dos.

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Lot 278
PABLO PICASSO
Peintre et Modèle devant une Toile.

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Lot 279
PABLO PICASSO
Séries 347:241 (Homme des bois devant une toile représentant une bacchante).

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Lot 280
PABLO PICASSO
Séries 156:56 (Peintre et femme cueillant des fleurs).

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Lot 281
PABLO PICASSO
Séries 156:122 (Barbu fantasmant, femmes, homme, et homme Grec au corps de femme).

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Lot 282
PABLO PICASSO
Portrait de Pierre Crommelynck.

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Lot 283
PABLO PICASSO (after)
Les Portraits Imaginaires.

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Lot 284
PABLO PICASSO (after)
Les Portraits Imaginaires.

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Lot 285
JULIO GONZÁLEZ
Femme nue debout.

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Lot 286
JACQUES VILLON
Une modèle assis.

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Lot 287
JACQUES VILLON
Le Petit Équilibriste.

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Lot 288
JACQUES VILLON
Two prints.

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Lot 289
EMIL FILLA
Composition Cubiste.

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Lot 290
JEAN METZINGER (after)
La Tasse de Thé.

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Lot 291
SONIA DELAUNAY
Two costume designs.

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Lot 292
FILIPPO TOMMASO MARINETTI
Une assemblée tumultueuse (Sensibilité numérique).

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Lot 293
WASSILY KANDINSKY
Zweite Radierung für die Editions "Cahiers d'Art."

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Lot 294
GEORGES BRAQUE
Job.

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Lot 295
GEORGES BRAQUE (after)
L'Aquarium.

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Lot 296
GEORGES BRAQUE
Grandes Livres Illustrés.

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Lot 297
GEORGES BRAQUE (after)
La Barque sur la grève.

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Lot 298
GEORGES BRAQUE (after)
Vase de Fleurs Jaunes

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Lot 299
GEORGES BRAQUE (after)
Bouquet de fleurs jaunes

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Lot 300
GEORGES BRAQUE (after)
Le Viaduc de L'Estaque

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Lot 301
DAVID BURLIUK
Head

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Lot 302
JEAN LURÇAT
L'Arabe.

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Lot 303
JEAN LURÇAT
La forteresse gardée.

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Lot 304
DEMETRIOS GALANIS
L'Enfant au cheval mécanique.

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Lot 305
LÉON BASKT
Dessin pour "Le Prince Anglais".

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Lot 306
ARISTIDE MAILLOL
Les Géorgiques.

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Lot 307
ARISTIDE MAILLOL
Dialogues des Courtisanes.

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Lot 308
HENRI MATISSE
Le Repos du Modèle.

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Lot 309
HENRI MATISSE
Nu au coussin bleu.

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Lot 310
HENRI MATISSE
Danseuse Endormie au Divan.

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Lot 311
HENRI MATISSE
Portrait de Claude D.

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Lot 312
HENRI MATISSE
Jeune femme à la chevelure encadrant le visage.

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Lot 313
HENRI MATISSE (after)
La Blouse Roumaine.

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Lot 314
HENRI MATISSE (after)
Petit Intérieur Bleu.

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Lot 315
HENRI MATISSE (after)
Mimosa.

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Lot 316
ADOLPHE FÉDER
Still Life with Kettle.

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Lot 317
ADOLPHE FÉDER
Seated Model.

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Lot 318
ROBERT HERMANN STERL
Drei Steinmetzen am Block.

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Lot 319
WALTER SICKERT
The Old Fiddler (The Large Plate).

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Lot 320
WILLIAM RUSSELL FLINT
Standing Nude, with right arm raised.

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Lot 321
ERIC KENNINGTON
Portrait of Alice Mary Rothenstein.

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Lot 322
ARTHUR MEADOWS
Santa Marie della Salute, Venice.

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Lot 323
JAMES McBEY

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Lot 324
ORONATO CARLANDI
Anzio.

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Lot 325
HENRI LEBASQUE
Marine (Barques).

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Lot 326
JEAN PUY
La Rochelle.

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Lot 327
MAURICE DE VLAMINCK
Le vieux port de Marseille.

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Lot 328
MAURICE DE VLAMINCK
Saint-Michel.

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Lot 329
MAURICE DE VLAMINCK
Rue à Louveciennes.

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Lot 330
MAURICE DE VLAMINCK
Sur les bords de l'Oise.

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Lot 331
MAURICE UTRILLO (after)
L'Église de Limours.

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Lot 332
MAURICE UTRILLO
Two lithographs.

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Lot 333
FRITZ GLARNER
Notre Dame, Paris, vue de la Seine.

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Lot 334
JULES PASCIN
Scène de la Havana.

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Lot 335
JULES PASCIN
Femme assise.

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Lot 336
JULES PASCIN
Nu allongé.

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Lot 337
JULES PASCIN
Dans le Parc.

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Lot 338
BORIS SOLOTAREFF
Sud de la France.

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Lot 339
BORIS SOLOTAREFF
Nu Avec les Mains Levées.

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Lot 340
NICOLAS GLOUTCHENKO
Nu Allongé.

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Lot 341
MARK TOBEY
Atty van den Berg.

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Lot 342
GEORGES ROUAULT
La Sibylle de Cumes.

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Lot 343
GEORGES ROUAULT
Madame Louison.

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Lot 344
GEORGES ROUAULT
Dors mon amour.

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Lot 345
GEORGES ROUAULT
Les Ballerines.

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Lot 346
GEORGES ROUAULT (after)
Pierrot.

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Lot 347
WILHELM LEHMBRUCK
Auferstehung II.

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Lot 348
GUSTAV KLIMT
Umarmendes Paar.

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Lot 349
GUSTAV KLIMT
Stehender weiblicher Akt, Hände hinter dem Rücken verschränkt.

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Lot 350
GEORGE GROSZ
Sitzender weiblicher Akt.

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Lot 351
ERICH WEGNER
Kleiner Umzeig (Piccolo Transloco).

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Lot 352
MAX PECHSTEIN
Group of 4 illustrated letters of Palau scenes.

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Lot 353
MAX PECHSTEIN
Fischerboote bei Sonnenuntergang.

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Lot 354
KARL SCHMIDT-ROTTLUFF
Stilleben mit Vasen.

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Lot 355
MORITZ MELZER
Madonna in der Wolken.

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Lot 356
OSKAR KOKOSCHKA
Apulia.

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Lot 357
RENÉE SINTENIS
Ausschlagendes Fohlen.

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Lot 358
GERHARD MARCKS
Stehender weiblicher Akt.

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Lot 359
KÄTHE KOLLWITZ
Brustbild einer Arbeiterfrau mit blauem Tuch.

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Lot 360
KÄTHE KOLLWITZ
Die Klage.

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Lot 361
KÄTHE KOLLWITZ
Selbstbildnis im Profil nach rechts.

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Lot 362
KÄTHE KOLLWITZ
Selbstbildnis.

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Lot 363
KÄTHE KOLLWITZ
Tod packt eine Frau.

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Lot 364
KÄTHE KOLLWITZ
Die Witwe II.

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Lot 365
MAX BECKMANN
Dostoyevsky II.

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Lot 366
MAX BECKMANN
Selbstbildnis von vorn, im Hintergrund Hausgiebel.

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Lot 367
CONRAD FELIXMÜLLER
Arbeiterpaar.

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Lot 368
LYONEL FEININGER
Clouds over Connecticut Hills.

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Lot 369
LYONEL FEININGER
Nevada.

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Lot 370
PAUL KLEE
Der Verliebte.

lot thumbnail image

Lot 371
FERNAND LÉGER
Deux Hommes (Soldats à Verdun).

lot thumbnail image

Lot 372
FERNAND LÉGER
Fêtes de la faim.

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Lot 373
FERNAND LÉGER (after)
Femme et cheval.

lot thumbnail image

Lot 374
MOÏSE KISLING
Jeune femme.

lot thumbnail image

Lot 375
TSUGUHARU FOUJITA
Enfant avec des arcs dans les cheveux.

lot thumbnail image

Lot 376
TSUGUHARU FOUJITA
Japonaise, de profil.

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Lot 377
TSUGUHARU FOUJITA
La Vierge à l'Enfant avec des anges.

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Lot 378
RAOUL DUFY
Fluctuat Nec Mergitur (La Seine devant Paris).

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Lot 379
RAOUL DUFY
Nice.

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Lot 380
RAOUL DUFY (after)
La Fée Électricité.

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Lot 381
RAOUL DUFY (after)
Hôtel, Piscine, Côte d'Azur.

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Lot 382
MINO DELLE SITE
Giuramento dell'atleta.

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Lot 383
ANTONI CLAVÉ
Plaza de Toros, Sevilla.

lot thumbnail image

Lot 384
CHARLES DUFRESNE
Baigneuse sur la Plage.

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Lot 385
ANDRÉ DUNOYER DE SEGONZAC
Les Tomates (Nature morte).

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Lot 386
JEAN DUFY
Bois du Boulogne.

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Lot 387
MARCEL VERTÈS
Femme assise sur un balcon, vue sur la Seine.

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Lot 388
MOURA CHABOR
Scène de Parc Parisien.

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Lot 389
MARCEL JANCO
A Man Killing a Raging Bull near a Walled Town (Mural Study).

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Lot 390
YVES TANGUY
Sans Titre (Le Mythe de la Roche Percée).

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Lot 391
FRIEDEL DZUBAS
Untitled.

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Lot 392
JOAN MIRÓ (after)
Mur de la Lune.

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Lot 393
JOAN MIRÓ (after)
Sur Quatre Murs.

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Lot 394
JOAN MIRÓ (after)
Le Chien bleu.

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Lot 395
JOAN MIRÓ
Bagatelles végétales.

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Lot 396
JOAN MIRÓ
Le Lézard aux Plumes d'Or.

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Lot 397
JOAN MIRÓ
Fissures.

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Lot 398
JOAN MIRÓ
Obra inèdita recent.

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Lot 399
JOAN MIRÓ
Ubu Roi.

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Lot 400
JOAN MIRÓ
Michel Tapié.

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Lot 401
JOAN MIRÓ
Galathée.

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Lot 402
PORTFOLIO
Paroles Peintes V.

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Lot 403
JOAN MIRÓ
Le Marteau sans Maître.

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Lot 404
JOAN MIRÓ
Grans Rupestres III.

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Lot 405
STANLEY W. HAYTER
Palimpsest.

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Lot 406
STANLEY W. HAYTER
Night Moth.

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Lot 407
STANLEY W. HAYTER
Personnage virtuelle.

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Lot 408
STANLEY W. HAYTER
Jeux d'eau.

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Lot 409
STANLEY W. HAYTER
Warriors.

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Lot 410
RAYMOND VEYSSET
Composition abstraite.

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Lot 411
JEAN XCERON
Ironstones.

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Lot 412
MAX ERNST
Histoire naturelle.

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Lot 413
MAX ERNST
Hibou.

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Lot 414
MAX ERNST
Elfo 3º.

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Lot 415
SALVADOR DALÍ
La Divine Comédie by Dante Alighieri.

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Lot 416
SALVADOR DALÍ
Oedipe et le Sphinx.

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Lot 417
SALVADOR DALÍ
Saturn.

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Lot 418
SALVADOR DALÍ
The Reality of a Dream.

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Lot 419
SALVADOR DALÍ
Don Quichotte (Horseman).

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Lot 420
SALVADOR DALÍ
Nu à l'Escargot.

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Lot 421
SALVADOR DALÍ
L'Unicorne laser désintégre les cornes de rhinoceros cosmique.

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Lot 422
SALVADOR DALÍ
Dalínian Prophecy.

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Lot 423
SALVADOR DALÍ
The Lance of Chivalry.

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Lot 424
SALVADOR DALÍ
Don Quichotte.

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Lot 425
SALVADOR DALÍ
Woman with a Head of Roses.

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Lot 426
RENÉ MAGRITTE (after)
Le Fils de l'Homme.

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Lot 427
RENÉ MAGRITTE
Le Prêtre Marié.

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Lot 428
RENÉ MAGRITTE
Les Moyens d'Existence.

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Lot 429
RENÉ MAGRITTE (after)
Two color lithographs.

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Lot 430
RENÉ MAGRITTE
Le Chant de la Violette.

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Lot 431
JEAN DUBUFFET
Mur et voyageurs * Mur et avis.

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Lot 432
JEAN DUBUFFET
Paysage.

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Lot 433
MARC CHAGALL
L'Auge II.

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Lot 434
MARC CHAGALL
Selbstbildnis mit lachendem Gesicht.

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Lot 435
MARC CHAGALL
Joseph berger.

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Lot 436
PORTFOLIO
Paroles Peintes I.

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Lot 437
MARC CHAGALL
Tête de Chapitre.

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Lot 438
MARC CHAGALL
Jerusalem Windows: The Tribe of Issachar.

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Lot 439
MARC CHAGALL
Lithographs I-IV.

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Lot 440
MARC CHAGALL
A la femme, qu'est-il rest?

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Lot 441
MARC CHAGALL (after)
Romeo and Juliet.

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Lot 442
MARC CHAGALL (after)
Carmen.

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Lot 443
MARC CHAGALL (after)
The Magic Flute.

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Lot 444
MARC CHAGALL
Auto-Portrait, Fond ocre.

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Lot 445
MARC CHAGALL
La Féerie et Le Royaume.

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Lot 446
EMMANUEL MANÉ-KATZ
Klezmer Band.

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Lot 447
ALBERTO GIACOMETTI
Les deux tabourets.

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Lot 448
ALBERTO GIACOMETTI
Chaise et suspension.

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Lot 449
MASSIMO CAMPIGLI
Donna al Balcone.

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Lot 450
MASSIMO CAMPIGLI
Passeggiata Romana.

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Lot 451
MASSIMO CAMPIGLI
Donne Fiori.

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Lot 452
FAUSTO PIRANDELLO
Gruppo di Figure Femminile.

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Lot 453
GIOVANNI BARTOLOMUCCI
Skyline (New York).

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Lot 454
LE CORBUSIER
Petite Confidences.

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Lot 455
LE CORBUSIER
1920: Premiers tableaux.

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Lot 456
GIORGIO MORANDI
Natura morta con cinque oggetti.

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Lot 457
JACOB EPSTEIN
Nude Study "A" (Betty Peters).

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Lot 458
HENRI LAURENS
Femme couché.

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Lot 459
MARINO MARINI
Cavallo in armonia.

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Lot 460
MARINO MARINI
Chevaux et Cavaliers IV.

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Lot 461
GINO SEVERINI
Composition.

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Lot 462
GINO SEVERINI
Nature Morte.

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Lot 463
GINO SEVERINI
Les Musiciens.

lot thumbnail image

Lot 464
GINO SEVERINI
Commedia dell'Arte.

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Lot 465
CLAUDE VENARD
Pont Vénitien.

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Lot 466
JACQUES VILLON
Le Dément.

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Lot 467
JEAN COCTEAU
Satyr.

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Lot 468
GEORGES CHARPENTIER
Gemini.

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Lot 469
HENRY MOORE
Two Reclining Figures with River Background.

lot thumbnail image

Lot 470
HENRY MOORE
Reclining Figure—Pisello Baccello.

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Lot 471
HENRY MOORE
Reclining Mother and Child with Grey Background.

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Lot 472
JEAN-CLAUDE MINNEBOO
Nu surréaliste.

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Lot 473
MAN RAY
Le Beau Temps.

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Lot 474
MAN RAY
Cadeau.

19th & 20th Century Art

Officers

Todd Weyman, Vice President & Director, Prints & Drawings

Todd Weyman
Vice President & Director, Prints & Drawings

tweyman@swanngalleries.com
(212) 254-4710 ext. 33
Lisa Crecenzo, Dept. Manager & Client Relations

Lisa Crecenzo
Dept. Manager & Client Relations

lcrecenzo@swanngalleries.com
(212) 254-4710 ext. 51
Meagan Gandolfo, Cataloguer

Meagan Gandolfo
Cataloguer

mgandolfo@swanngalleries.com
(212) 254-4710 ext. 58
Sarah McMillan, Cataloguer

Sarah McMillan
Cataloguer

smcmillan@swanngalleries.com
(212) 254-4710 ext. 28



George S. Lowry
Chairman



Nicholas D. Lowry
President, Principal Auctioneer

924899

Andrew M. Ansorge
Vice President & Controller

Alexandra Mann-Nelson
Chief Marketing Officer

2030704

Todd Weyman
Vice President & Director, Prints & Drawings

1214107

Nigel Freeman
Vice President & Director, African American Art

Rick Stattler
Vice President & Director, Books & Manuscripts

Administration

Andrew M. Ansorge
Vice President & Controller

aansorge@swanngalleries.com

Ariel Kim
Client Accounting

akim@swanngalleries.com

Diana Gibaldi
Operations Manager

diana@swanngalleries.com

Kelsie Jankowski
Communications Manager

kjankowski@swanngalleries.com

Shannon Licitra
Shipping Manager

slicitra@swanngalleries.com

19th Century European

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1

Anton raphael mengs
Selbstbildnis.

Black chalk on tan wove paper, circa 1750. 200x190 mm; 7⅞x7½ inches. Signed in chalk, lower left recto.

Provenance: Elizabeth Hamilton-Jeffrey Wortman, Inc., New York; sold to private collection, New York, October 1989.

Mengs (1728-1779) was born in Bohemia, present-day Czech Republic, to a family of artists. His father, who trained him, was a court painter in Dresden. In 1740, Mengs moved with his father to Rome, where the young artist learned to emulate Raphael and Correggio and established himself as a precocious talent. Mengs moved back to Dresden in 1744 to build his career before settling in Rome in 1752, where he stayed for the rest of his life. With art historian and Hellenist Johann Joachim Winckelmann, Mengs helped to revive interest in classical antiquity. Mengs heralded Neoclassicism, the style championed by artists into the early 19th century and beyond. This pared down, simplistic style rooted in symmetry, was also practiced by Jacques-Louis David (1748-1825) and Jean-Auguste-Dominique Ingres (1780-1867).

Estimate

$5,000 – $8,000

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2

François marius granet
Santa Maria dell’Immacolata Concezione, Roma.

Oil on canvas, circa 1814. 476x376 mm; 18¾x14¾ inches.

Provenance: Private collection, New York.

Granet (1775-1849) was a French painter and curator known for his paintings of church and convent interiors. He was born in Aix-en-Provence, studied art in France, and relocated to Italy where he lived for 21 years as a member of a French artist community, including Neoclassical painters Jean-Auguste-Dominique Ingres (1780-1867) and François-Xavier Fabre (1766-1837). Granet created this composition during Napoleon’s occupation of Rome, when the Capuchin order had been banished from the seventeenth-century church in the city center. Granet mourned the peaceful cloister before it was dissolved and sought to capture its serenity. Among his most favored subjects, he claimed that he painted different iterations of Santa Maria dell’Immacolata Concezione at least fifteen times.

Estimate

$5,000 – $8,000

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3

Joseph m. w. turner
Jason.

Etching and engraving printed in dark brown, 1807. 184x260 mm; 7¼x10¼ inches, full margins. Second state (of 5). From Liber Studiorum. A superb, richly-inked, early impression.

Jason is part of a series of 81 prints created by Turner (1775-1851) and other printmakers, after his oils, that have come to be known as the Liber Studiorum (Book of Studies, in Latin). This series is based on original watercolors by Turner derived from his paintings, essentially a visual catalogue raisonné of all his works.

History, literature and myth were profound sources of inspiration for Turner. This particular composition derives from Apollonius Rhodius’s epic Greek poem, Argonautica, written in the 3rd century BCE. The tale chronicles mythical Greek hero Jason and his voyage to retrieve the legendary Golden Fleece. In Turner’s depiction, Jason scales a fallen tree to approach the dragon guarding the Fleece. Argonautica profoundly influenced Latin poets like Catullus and Ovid, and it served as a framework for Virgil’s Roman national epic, the Aeneid. Finberg 6.

Estimate

$1,500 – $2,500

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4

Joseph m. w. turner
Calm.

Etching, aquatint and mezzotint printed in dark brown, 1812. 178x267 mm; 7x10½ inches, full margins. First state (of 7). From Liber Studiorum. A superb, richly-inked and early impression.

Calm is part of a series of 81 mezzotints created by Turner (1775-1851) and other printmakers, after his oils, that have come to be known as the Liber Studiorum (Book of Studies, in Latin). The “M” in the top margin of this print indicates Turner’s category of Marine landscape. The Liber Studiorum mezzotints are based on original watercolors by Turner derived from his paintings, essentially a visual catalogue raisonné of all his works. It’s assumed that Turner approved of the mezzotint process as it simulated the appearance of watercolor on moist paper and, in recognition of their commercial viability. The 1820 introduction of steel mezzotint plates (as opposed to copper, which produced very limited quality impressions before the plate wore down and required reworking) may have prompted him to issue these prints. Finberg 44.

Estimate

$2,000 – $3,000

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5

William blake
And When They Lifted Up Their Eyes Afar Off.

Engraving on Chine collé, 1825. 217x170 mm; 8¾x6¾ inches, full margins. Edition of 215, an early impression with the word “Proof” engraved lower right. Published by the artist and J. Linnell, London. From Illustrations of the Book of Job. A superb, richly-inked impression with strong contrasts. Bindman 631.

Estimate

$2,500 – $3,500

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6

William blake
There Were not Found Women Fair as the Daughters of Job.

Engraving on Chine collé, 1825. 220x172 mm; 8⅝x6¾ inches, full margins. Edition of 215, an early impression with the word “Proof” engraved in the plate lower right. Published by the artist and J. Linnell, London. From Illustrations of the Book of Job. A very good, richly-inked impression with strong contrasts. Bindman 644.

Estimate

$2,500 – $3,500

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7

Jean-auguste-dominique ingres
Gabriel Cortois de Pressingny.

Etching 1816. 285x193 mm; 11¼x7⅝ inches, wide margins three sides, the upper margin trimmed just inside the border line. A superb impression of this extremely scarce etching, with strong contrasts and no sign of wear. Delteil 1.

Estimate

$2,000 – $3,000

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8

Eugène delacroix
Feuille d’études, avec Héliodore vaincu du Temple, pour St. Sulpice.

Pencil on paper, circa 1849-50. 450x276 mm; 17¾x10⅞ inches. With the artist’s red ink stamp (Lugt 838a, lower right recto).

Provenance: Jacques Fischer, Paris; Eric Carlson, New York; private collection, New York, 2006.

Exhibited: “Eugène Delacroix, Paintings and Drawings; Peter Paul Rubens, Three Oil Sketches,” Salander-O’Reilly Galleries, New York, November 15-December 30, 1989, with the label.

Estimate

$3,000 – $5,000

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9

Théodore géricault
Jument noire à l’Écurie.

Oil on paper laid down on canvas, circa 1815. 230x315 mm; 9x12½ inches.

Provenance: Georges Renand, Paris; Marlborough Fine Art, London; Marlborough Gallery, New York.

Exhibited: “Géricault Peintre et Dessinateur,” Galerie Bernheim-Jeune & Cie., Paris, May 1937, with the label.

Published: Grunchec, Tout l’oeuvre peint de Géricault Milan and Paris, 1978, catalogue number A5 (illustrated); Bazin, Théodore Géricault: Étude critique, documents et catalogue raisonné, Paris, 1987-97, volume 3, page 140, catalogue number 697 (illustrated; alternatively titled Cheval à l’écurie).

Estimate

$10,000 – $15,000

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10

Honoré daumier
Un Français peint par lui-même.

Lithograph, 1849. 340x263 mm; 13⅜x10⅜ inches (sheet), wide margins. From the deluxe edition sur blanc, before the large published edition with text verso. Printed and published by Aubert et Cie, Paris. From Scènes d’Ateliers. A very good impression. Delteil 2526.

With—Mission pénible et délicate du professeur de dessin…, lithograph, 1853. 180x241 mm; 7⅛x9½ inches, wide margins. From the deluxe edition sur blanc, before the large published edition with text verso. Printed and published by Aubert et Cie, Paris. From Profésseurs et Moutards. Delteil 1468.

Estimate

$1,500 – $2,500

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11

Honoré daumier
En Chemin de Fer . . . Un Voisin agréable.

Lithograph, 1862. 195x242 mm; 7¾x9½ inches, full margins. The deluxe edition sur blanc, before the large published edition with text verso. Printed by Bertauts, Paris. From Souvenirs d’Artistes. A very good impression. Delteil 3252.

Estimate

$1,500 – $2,500

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12

Honoré daumier
Collection of 12 lithographs.

Including three with hand coloring in watercolor. Each from the deluxe edition sur blanc, before the large published editions with text verso. Various sizes and conditions. Very good impressions. Delteil 66, 109, 591, 656, 1220, 1504, 1546, 1670, 2582, 3231, 3417 and 3437.

Estimate

$2,000 – $3,000

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13

Honoré daumier
Group of 6 lithographs with hand coloring in watercolor.

Monsieur! Monsieur!! M’offrir 500 francs . . ., 1837 * Mon cher! Vous vous êtes admirablement . . ., 1838 * Des preuves! . . ., 1838 * (Le Président, impatienté) Au fait, maitre Barbotteau . . . , 1838 * Mr. l’avocat a rendu pleine justice. . . ., 1846 * Au Café D’aguesseau, 1846. Various sizes and conditions. Very good impressions with strong colors. Delteil 411, 486, 490, 493, 1352 and 1359.

Daumier (1808-1879), a prolific caricaturist, printmaker, painter and sculptor, demonstrated an artistic inclination at a young age. He quickly became a protégé of the classicist painter Alexandre Lenoir (1761-1839), and further advanced his artistic training by enrolling in the Acadèmie Suisse, Paris. Daumier mastered the technique of lithography early on in his career, and published his first (of several hundred) lithographs in the satirical periodical La Silhouette in 1829.

Estimate

$1,500 – $2,500

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14

Honoré daumier
Le Monsieur qui ricane.

Bronze, modeled circa 1860 (cast later). 185 mm; 7¼ inches (height). Incised with the artist’s initials and numbered 22/30, lower verso. With the foundry mark Cire perdue Valsuani, lower verso.

Provenance: Private collection, Paris; private collection, New York.

Published: Gobin, Daumier Sculpteur, 1808-1879: Avec un Catalogue Raisonné et illustré de l’oeuvre sculpté, Geneva, 1952, page 261, number 47 (the terracotta illustrated); Wasserman, Daumier Sculpture. A Critical and Comparative Study, Cambridge, MA, 1969, page 230, number 55 (the terracotta and another bronze cast illustrated).

In addition to his work as a lithographer, draughtsman and painter, Daumier (1808-1879) produced more than 100 sculptures during his long and highly prolific career. He produced many of these sculptures in unbaked clay, some of which were subsequently reproduced in plaster casts for preservation. Bronze editions were all produced posthumously, the artist conceived no bronze editions during his lifetime, by various foundries including Barbedienne, Rudier, Siot-Decauville and Valsuani, from models in the collections of the Galerie Sagot-Le Garrec, Paris, and Gobin, Paris, including the renowned series of thirty-six bust portraits of French members of Parliament. The majority of the terracotta figures are now in the collection of the Musée d’Orsay, Paris.

Estimate

$7,000 – $10,000

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15

Honoré daumier
Le Bourgeois qui flâne.

Bronze, modeled circa 1860 (cast later). 180 mm; 7 inches (height). Incised with the artist’s initials and numbered 13/30, lower verso. With the foundry mark Cire perdue Valsuani, lower verso.

Provenance: Private collection, Paris; private collection, New York.

Published: Gobin, Daumier Sculpteur, 1808-1879: Avec un Catalogue Raisonné et illustré de l’oeuvre sculpté, Geneva, 1952, page 271 (another cast illustrated).

In addition to his work as a lithographer, draughtsman and painter, Daumier (1808-1879) produced more than 100 sculptures during his long and highly prolific career. He produced many of these sculptures in unbaked clay, some of which were subsequently reproduced in plaster casts for preservation. Bronze editions were all produced posthumously, the artist conceived no bronze editions during his lifetime, by various foundries including Barbedienne, Rudier, Siot-Decauville and Valsuani, from models in the collections of the Galerie Sagot-Le Garrec, Paris, and Gobin, Paris, including the renowned series of thirty-six bust portraits of French members of Parliament. The majority of the terracotta figures are now in the collection of the Musée d’Orsay, Paris.

Estimate

$7,000 – $10,000

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16

Jean-françois millet
La Veillée.

Etching, 1855-56. 151x110 mm; 6¼x4½ inches, full margins. Second state (of 2), with rounded plate corners. A superb impression of this extremely scarce, early etching.

We have found only 3 other impressions of this etching at auction in the past 30 years.

This is one of two etchings Millet (1814-1875) created, among eight different subjects, during his first productive burst with the printmaking technique which were the only ones not published. According to the art critic Philippe Burty, who wrote in the Gazette des Neaux-Arts, “Either because the varnish was badly prepared or because the acid was too violent, the metal was attacked so deeply that in printing it gave only a heavy image and was canceled after a few trial proofs.” Melot cites five impressions in public collections, including the Art Institute of Chicago (two impressions), the New York Public Library, and the Bibliothèque Nationale, Paris (two impressions). Delteil 14; Melot 14.

Estimate

$2,000 – $3,000

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17

Jean-françois millet
Le Semeur.

Lithograph printed in brownish black on antique, cream laid paper, 1851. 192x156 mm; 7⅝x6⅛ inches, full margins. Third state (of 3). A superb, dark impression with strong contrasts and with all the subtle tonal variations distinct. Delteil 22; Melot 22.

Estimate

$7,000 – $10,000

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18

Jean-baptiste-camille corot
Environs de Rome.

Etching and drypoint, 1866. 284x210 mm; 11¼x8¼ inches, full margins. Third state (of 3). A very good, dark, richly-inked impression. Delteil 6; Melot 6.

Estimate

$1,500 – $2,500

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19

Jean-baptiste-camille corot
Souvenir d’Italie.

Etching and drypoint, 1863. 294x220 mm; 11½x8¾ inches, full margins. Second state (of 4). Printed by Delâtre, Paris. Published by Cadart and Chevalier, Paris, with the blind stamp (Lugt 3270, lower center). A brilliant, richly-inked and early impression with strong contrasts and no sign of wear. Delteil 5; Melot 5.

Estimate

$1,500 – $2,500

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20

Jean-baptiste-camille corot
La Rêverie.

Cliché-verre, 1854. 148x193 mm; 5¾x7½ inches, small margins. Numbered 127/150 in pencil, verso. Published by Le Garrec, with the ink stamp (Lugt 1766a, verso). A very good impression of this scarce print. Delteil 43; Melot 43.

Estimate

$1,500 – $2,500

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21

Jean-baptiste-camille corot
Paysage.

Oil on canvas. 255x340 mm; 10⅛x13⅜ inches. Signed in oil, lower left recto.

Provenance: Private collection, California; private collection, Skokie, Illinois.

Estimate

$25,000 – $35,000

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22

Henri-joseph harpignies
Bords d’un Etang.

Oil on canvas, 1849. 180x260 mm; 7x10¼ inches. Signed and dated in oil, lower left recto.

Provenance: Marlborough International Fine Art, London; Marlborough Gallery, New York.

Exhibited: “Harpignies: Paintings-Watercolors-Drawings,” Marlborough Fine Art, London, February-March, 1957.

Estimate

$2,500 – $3,500

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23

Henri-joseph harpignies
Environs de Roisin.

Oil on canvas, 1847. 455x610 mm; 18x24 inches. Signed and dated in oil, lower left recto.

Provenance: Marlborough International Fine Art, London; Marlborough Gallery, New York, with the label on the frame back.

Exhibited: “Harpignies: Paintings-Watercolors-Drawings,” Marlborough Fine Art, London, February-March, 1957, number 1.

Estimate

$7,000 – $10,000

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24

Henri-joseph harpignies
Un Bien Aller dans la Foret du Troncais.

Oil on canvas. 810x1015 mm; 31⅞x40 inches. Signed in oil, lower left recto.

Provenance: Sold Christie's, New York, November 1, 1999, sale 9248, lot 56; Marlborough Gallery, New York, with the label on the frame back.

Exhibited: "Harpignies: Paintings-Watercolors-Drawings," Marlborough Fine Art, London, February-March, 1957, number 30.

Estimate

$10,000 – $15,000

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25

Henri-joseph harpignies
La Loire à Briare.

Oil on canvas, 1896. 190x550 mm; 7¾x21¾ inches.

Provenance: Marlborough International Fine Art, London; Marlborough Gallery, New York.

Exhibited: "Harpignies: Paintings-Watercolors-Drawings," Marlborough Fine Art, London, February-March, 1957, number 11, with the label on the frame back.

Estimate

$3,000 – $5,000

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